Truffle, but her? (Sorry)

Heard a few good things on the radio recently so it's time to share.  I feel like Hot Chip just had an album out, but they're back with a new track again already.  Again, they're a band I've kind of avoided -- always heard that they're good, liked a few things that I've heard, but I've made a semi-conscious decision not to get into them.  I may revise that soon though.  Really like the off-kilter keyboard line in this track, it's nice when things are a bit weird.


Unknown Mortal Orchestra are coming to U Street Music Hall soon I gave them a listen, especially  after Ghostpoet tweeted about them.  Not really the kind of thing I want to check out live, but I do like this track:

I thought it was new but it's from 2013!

I was listening to the actual radio the other day and heard a Nicki Minaj song.  The beat really stood out to me, but it had the feel of something I may have heard before -- turns out it's a slowed down beat from a Maya Jane Coles track!  They didn't really change it much either.


Finally, I don't have a whole lot to say about this Richard Hawley track I heard a couple of weeks ago except that I like it -- it's very evocative.

Another one that got away

I was listening to the radio yesterday when I came across BADBADNOTGOOD, a trio out of Toronto, Canada, who are new to me.  Their neo-trip-hop sound was immediately intriguing and reminded me a bit of early DJ Shadow.  The difference is that while DJ Shadow is/was all about samples, these guys are playing their tunes themselves.  While the track I heard (see below) may not be to everyone's taste, it was enough to get me interested; I liked the mix of sounds and genres, has a bit of a film soundtrack quality to it.  I recommend checking out their Soundcloud page as there's plenty of good stuff there.  They'd probably be pretty great live but, unfortunately, they already played here in DC at U Street Music Hall back in June, before I'd ever heard of them.  I hate it when that happens.


Gold Panda's got a new track he's giving away.  It also has a jazzy, filmy vibe to it.  I'm not a massive of the track to be honest, but I'm going to put it up anyway, for old times' sake.  Oh, and it's downloadable for free.


Lastly, another track I recently heard on the radio, this time by Simian Mobile Disco.  They seem to get a lot of respect, so I saw them live in DC not too long ago, but I hated the show and left early.  I probably wouldn't see them live again, unless their way of putting a show together has completely changed, but I do like this track, it has a nice analogue sound to it:
  

Pop!

Most people wouldn't guess that I'm a fervent fan of (good) pop music.  Many think I'm just some sort hipster obscurist, but it's not true I tell  you!  I like a good pop tune as much as anyone, but perhaps my definition of good is a bit stricter?  Today, there are a couple of tracks I'd like to write about that I consider to be very poppy, but I'm going to start with a classic from the 80's.  In many ways, the 80's seem like the golden age of pop to me, but I think that's mostly cos the 80's is when I was a little kid.  It was a good time for synth-driven music though, and a lot the poppy music I like now also has a synth-fuelled sound.  Here's some Howard Jones:



Last night I went to see a far newer pop act, AlunaGeorge.  I was in two minds about going to the show, mostly cos I didn't have anyone to go with, it was on a work night, and the band weren't due on til 11.15pm.  I also wasn't sure how AlunaGeorge's pop sound would transfer to a live setting -- I was pretty wary of just watching someone press play on a computer and then have some singing over the top.  I ended up going though, and I'm glad I did, as it was a very good gig.  It was at U Street Music Hall, which has been a consistently great venue in my experience -- good sound, good acts, and a great crowd who are more than happy to get into things and dance.  There's always a good energy there and the acts really seem to feed off of it; last night was no different.  AlunaGeorge are Aluna Francis, singer, and George Reid, producer, but for their live act they also brought along a drummer and bass player.  I love electronic music, but I do think when you go to see someone live it's nice to have some more traditional musicianship on the stage too, and not just a lot (or even worse, a little) electronic equipment.  This way you know that some of what you're hearing is truly live, and you're getting a unique experience, different from what you'd hear just by listening to recorded music.  Of course, there are solo electronic acts who do a great job of transferring what they do onto stage, even while being all by themselves (Shigeto and Four Tet come to mind), but there also those whose "live" sound is so perfect that it's like karaoke (cough cough, Disclosure and Simian Mobile Disco).  Sorry, but a nice light show doesn't make up for that.  Back to the sold-out show -- again, it was a pretty great gig and I'm going to finally say that I'm impressed by DC crowds.  The kinds of electronic shows I like seem to consistently sell out here and at venues like U Street I can't say that the crowd is just full of in-the-know posers who want to be seen at the right place.  Last night's crowd, similar to the one at Bonobo a few months ago, was really into AlunaGeorge's music, so much so that the cliched act of holding the mic out to the crowd really worked well!  People knew the songs, the lyrics, and they really got down in a nice happy way.  Here's the track they ended the show with -- a show that didn't flag by the way, helped by the fact that is was only 45 minutes long, but that length actually felt perfect -- long enough to have a good time, short enough to not get tired or bored.



My last pop-post is by the very non-Icelandic-sounding but apparently Icelandic singer Emiliana Torrini.  Heard her on the radio, this track specifically, and liked what I heard.  A slightly different sound that is still very pop, I think.  I hope she comes to DC.

HGHR GRND

I was in Michigan this past weekend and stopped by one of my favourite haunts from the old days, Dearborn Music.  It's one of the few independent record stores left in the area and even then it's about a 20 minute drive from my parents' house.  Went a bit nuts after having ample time to look around and bought way too much stuff, some of which is bound to be disappointing when I finally get around to listening to it (already put 'Jazzmatazz Vol. 1' and Motor City Drum Ensemble's DJ Kicks mix on my imaginary For Sale list).  If I remember to I'll update the blog when I listen to some of these new buys, starting now.

First record I listened to after my spree is the debut EP by TNGHT -- a duo I put on the blog not too long ago.  The EP was available and pretty cheap so I got it and it's pretty good.  Bugg'n is still a standout, as is the following track, which will sound crap unless you have good speakers or headphones:



I went to a concert a couple of weeks ago that I never got around to reviewing.  It was Bonobo with support from Shigeto at the Black Cat, and it was a great show.  I like live electronic music, especially when it's not just someone hitting play on a laptop.  A previous high had been seeing Four Tet live at U street music hall, and this show was almost as good.  The Black Cat is a decent venue in my opinion, even though it's pretty basic.  The nice thing is that the shows are cheap, and while this one was sold out I managed to buy tickets for slightly under face value just by showing up on the night and waiting for people who had spares.  That despite the fact that fools were trying to sell tix for $100 on Craigslist!  I'm still confused as to how Bonobo got so popular but apparently his last album, Black Sands, did very well in the States, so there you go.

Shigeto started up in a very discreet way -- I wasn't the only one to wonder when he'd come on stage and started playing as he just seemed to appear out of the haze, looking as if he'd been there the whole time, playing, while we thought we were just listening to pre-show music.  He's out of Ann Arbor, MI, and he's on the Ghostly label, and I like him already.  At first it seemed like he might just play from a laptop but he had more equipment up there and really got into what he was doing; after a couple of tracks he jumped onto a drum-set and accompanied the machines himself:



Bonobo were excellent.  They came with a full live band, played a lengthy set, and the crowd was really into it to boot.  Things slowed down a bit in the middle of the set but soon picked up again.  The show overall just had a really fun, energetic vibe to it, and I also felt quite cool being there -- like I was in a really good soulful loungey venue and not just at the Black Cat!

the Weeknd

Coupla tracks for the weekend, since it's Friday morning and I'm getting that weekend feeling!

Heard both of these on 6 Music -- first up, Dutch Uncles, followed by Yacht.  Time for a Crunchie, if I can find one.  Otherwise a dance in the living room will have to do.



Quite liking that fellas baggy tucked-in shirt, goes with the general 80s vibe of the song I think.



More info on the Yacht track here.

Joy Orbison's playing at U Street Music Hall this weekend.  Not really sure if I'll go though, first cos it's on a Sunday night, secondly cos I just don't know if I'll really enjoy the clubbing experience, especially as I'll probably go by myself.  Sad, eh?

Gratitude

Couple of new things to highlight.  First up is a new remix by Gold Panda.  It's a little different from what I've heard from him in the past, a little more uptempo, dark, and glitchy.  The remix is of a track by Night Works, a new outfit started by the former bassist of Metronomy.  They sound quite intriguing themselves, so I'll try and check out more by them and hopefully do a post. 



Next is a new(ish?) track by Burial and Four Tet.  I saw Four Tet in DC recently (I don't think I posted about it, but my memory isn't what it used to be), at U Street Music Hall.  I was in two minds about going but it turned out to be a good decision.  It always seems like a bit of a gamble going to a live dance music event but it almost always pays off.  Thoughts of "it's just a bloke with a laptop" evaporate when the music starts, mostly cos the soundsystems make such a massive difference, as does the experience of being with a crowd of dancing people.  But the fact that the musician is there, playing the music in one form or another (Four Tet was definitely not just pressing play on a laptop), does make a difference -- and it definitely makes a difference from a DJ'ed show, a difference that to me is positive.  The DJ has his place too, but there's something about listening to a live set that appeals to me more.  Anyway, enough of that; the collaborated track is called 'Nova', and here it is:



Finally, RIP MCA.  I can't say I was ever a massive Beastie Boys fan, but I did like them and enjoyed having my life punctuated by a new Beasties track every few years.  The singles from Ill Communication will always remind me of my teenagerhood, as will the amazing videos.  Adam Yauch seemed like a decent person, and 47 is very young.