HGHR GRND

I was in Michigan this past weekend and stopped by one of my favourite haunts from the old days, Dearborn Music.  It's one of the few independent record stores left in the area and even then it's about a 20 minute drive from my parents' house.  Went a bit nuts after having ample time to look around and bought way too much stuff, some of which is bound to be disappointing when I finally get around to listening to it (already put 'Jazzmatazz Vol. 1' and Motor City Drum Ensemble's DJ Kicks mix on my imaginary For Sale list).  If I remember to I'll update the blog when I listen to some of these new buys, starting now.

First record I listened to after my spree is the debut EP by TNGHT -- a duo I put on the blog not too long ago.  The EP was available and pretty cheap so I got it and it's pretty good.  Bugg'n is still a standout, as is the following track, which will sound crap unless you have good speakers or headphones:



I went to a concert a couple of weeks ago that I never got around to reviewing.  It was Bonobo with support from Shigeto at the Black Cat, and it was a great show.  I like live electronic music, especially when it's not just someone hitting play on a laptop.  A previous high had been seeing Four Tet live at U street music hall, and this show was almost as good.  The Black Cat is a decent venue in my opinion, even though it's pretty basic.  The nice thing is that the shows are cheap, and while this one was sold out I managed to buy tickets for slightly under face value just by showing up on the night and waiting for people who had spares.  That despite the fact that fools were trying to sell tix for $100 on Craigslist!  I'm still confused as to how Bonobo got so popular but apparently his last album, Black Sands, did very well in the States, so there you go.

Shigeto started up in a very discreet way -- I wasn't the only one to wonder when he'd come on stage and started playing as he just seemed to appear out of the haze, looking as if he'd been there the whole time, playing, while we thought we were just listening to pre-show music.  He's out of Ann Arbor, MI, and he's on the Ghostly label, and I like him already.  At first it seemed like he might just play from a laptop but he had more equipment up there and really got into what he was doing; after a couple of tracks he jumped onto a drum-set and accompanied the machines himself:



Bonobo were excellent.  They came with a full live band, played a lengthy set, and the crowd was really into it to boot.  Things slowed down a bit in the middle of the set but soon picked up again.  The show overall just had a really fun, energetic vibe to it, and I also felt quite cool being there -- like I was in a really good soulful loungey venue and not just at the Black Cat!

something something ketchup

It's been a pretty long break since proper postings so here I am.  Not that the interim has been spent in an audio-less vacuum, not at all, just didn't feel like blogging for whatever reason, but there are many sounds and links that have accumulated during my time away.  I will attempt to summarise forthwith; please don't get annoyed at the length of the post, it's all good stuff.

First up, Daniel Avery, an electronic musician who's probably very well known, but not by me, not until now anyway.  I heard of him through this Guardian video and then looked him up and was pleased I did.  His sounds are excellent and I'm planning on picking up the album and the Fabric mix in one form or another.  You can hear loads of things on his Soundcloud page, including this:

Next, some video links, and I don't mean music videos.  I don't have the time or patience to really use Youtube to it's full potential, but there are definitely some gems on that site, including a couple of great documentaries I've come across recently.  One is all about Bjork, and I think it was originally on the BBC.  You can watch it here.  The other documentary is about dance music, a kind of general overview, and it's narrated by Idris Elba with his full-on, I'm-actually-from-London-mate geezer accent.  Here you go.  

Washington's version of City Paper had a good write-up recently on the 20th anniversary of a local music venue, the Black Cat.  I've been to the venue a fair amount of times (to see Mum, Ash, Bonobo, and M83 to name a few), and while it's not one of my favourites, it's definitely not the worst venue in DC (that honour is reserved for the Rock n Roll Hotel, which is the worst venue I've been to around here anyway), and they do have a great booking policy -- in fact, I'm going there tonight to see Mount Kimbie.  I found the write-up quite interesting, maybe you will too -- check it out here.  

Lastly, I really like this Arctic Monkeys track, it's got a great groove to it:

  

Black Holes and Revolutions

Heard a few good tracks on 6 Music at work today so I thought I'd share.  Being less strict about music this Ramadan, though my listening is basically limited to work or the few times when I'm alone, so a lot less listening going on than normal.

First off, a track by a new quintet from Liverpool called Outfit.  I quite like it, even though it reminds me of Hot Chip a bit:



Next a track I know nothing at all about.  It's got that afrobeat sound that was big a few years ago.  Funny how certain styles become fashionable and then go out of fashion again just as quickly?



Last track is an old one by Muse which I hadn't heard in ages.  I like it's relative simplicity, especially when compared to Muse's more current output:



I'll end up with some links which you can check out if you're fast!  They're album previews that won't be up long:
NPR's got Moderat's latest and it's well worth a listen.
And AlunaGeorge are streaming their debut album on their website at the moment.
That last due are also coming to DC in September.  Quite a lot of good shows coming up actually -- off the top of my head there's Toro Y Moi touring with Classixx, Mount Kimbie, Bonobo and Gold Panda both coming back, and at least a couple more gigs I'm forgetting.  Roll on autumn!  

Pop!

Most people wouldn't guess that I'm a fervent fan of (good) pop music.  Many think I'm just some sort hipster obscurist, but it's not true I tell  you!  I like a good pop tune as much as anyone, but perhaps my definition of good is a bit stricter?  Today, there are a couple of tracks I'd like to write about that I consider to be very poppy, but I'm going to start with a classic from the 80's.  In many ways, the 80's seem like the golden age of pop to me, but I think that's mostly cos the 80's is when I was a little kid.  It was a good time for synth-driven music though, and a lot the poppy music I like now also has a synth-fuelled sound.  Here's some Howard Jones:



Last night I went to see a far newer pop act, AlunaGeorge.  I was in two minds about going to the show, mostly cos I didn't have anyone to go with, it was on a work night, and the band weren't due on til 11.15pm.  I also wasn't sure how AlunaGeorge's pop sound would transfer to a live setting -- I was pretty wary of just watching someone press play on a computer and then have some singing over the top.  I ended up going though, and I'm glad I did, as it was a very good gig.  It was at U Street Music Hall, which has been a consistently great venue in my experience -- good sound, good acts, and a great crowd who are more than happy to get into things and dance.  There's always a good energy there and the acts really seem to feed off of it; last night was no different.  AlunaGeorge are Aluna Francis, singer, and George Reid, producer, but for their live act they also brought along a drummer and bass player.  I love electronic music, but I do think when you go to see someone live it's nice to have some more traditional musicianship on the stage too, and not just a lot (or even worse, a little) electronic equipment.  This way you know that some of what you're hearing is truly live, and you're getting a unique experience, different from what you'd hear just by listening to recorded music.  Of course, there are solo electronic acts who do a great job of transferring what they do onto stage, even while being all by themselves (Shigeto and Four Tet come to mind), but there also those whose "live" sound is so perfect that it's like karaoke (cough cough, Disclosure and Simian Mobile Disco).  Sorry, but a nice light show doesn't make up for that.  Back to the sold-out show -- again, it was a pretty great gig and I'm going to finally say that I'm impressed by DC crowds.  The kinds of electronic shows I like seem to consistently sell out here and at venues like U Street I can't say that the crowd is just full of in-the-know posers who want to be seen at the right place.  Last night's crowd, similar to the one at Bonobo a few months ago, was really into AlunaGeorge's music, so much so that the cliched act of holding the mic out to the crowd really worked well!  People knew the songs, the lyrics, and they really got down in a nice happy way.  Here's the track they ended the show with -- a show that didn't flag by the way, helped by the fact that is was only 45 minutes long, but that length actually felt perfect -- long enough to have a good time, short enough to not get tired or bored.



My last pop-post is by the very non-Icelandic-sounding but apparently Icelandic singer Emiliana Torrini.  Heard her on the radio, this track specifically, and liked what I heard.  A slightly different sound that is still very pop, I think.  I hope she comes to DC.