Commute Tunes November 2018 #1

About time for another edition of commute tunes.  I should probably just start a Spotify playlist, but who would listen?  Not me, no time.  And then there'd be no writing for company.  I do find myself slightly overwhelmed by all the media choices I have right now.  Especially as I'm driving, which makes it a bit tuffer to take notes, or do searches right there and then.  First world problems, as Ian Brown would say (follow the link to the Ian Brown song that sounds like he took a Bontempi version of  Primal Scream's Loaded and changed the words). 

In fact, I just looked at my notes, and they're so bad that there's only one track to highlight.  Hardly seems worth it, but I will do it anyway.  It's "Offence" by Little Simz, and I love the way the drums bang and the tune's elements are pretty minimal but so effective. 



Here's a bit of news your may have missed -- Mike Skinner and The Streets are back, and you can hear their album on Spotify.  Not sure if it's elsewhere, his twitter linked to Spotify.  

Straight outta Norwich

Just heard this thanks to the Guardian.  Recently I've been a bit jaded about throwback-sounding dance music, but I quite like the samples used in this track by Context, a Norwich-born rapper who I know next to nothing about -- but if you like the tune you can easily do your own research.  There's a very Mike Skinner-y remix by Mike Skinner out there too.



Also heard some nice dancey stuff from Appleblim, thanks to XLR8R, which I've been meaning to put up. Doesn't have the chunky feel of the Context track but I appreciate the smoothness myself.  You can hear a full stream of the new EP below:

A belated Goodbye to the Streets

Aah, yes, the Streets are no more. Other than a few remaining tour dates, Mike Skinner's musical project are all but done with. 'Computers & Blues' came and went, and it was a mixed affair, like most recent Streets albums. Having said that I think I prefer it to the last few albums; there are some thoughtful and melancholy tracks that are well put together, but perhaps it's the knowledge that that's it that is adding some poignancy for me. Still, I think Mike is one of the best at reproducing the garagey sound with the female vocals added for an extra touch of sweetness -- street music that's for more than dancing to. The last track on the album is 'Lock the Lock's and it's one of the standouts. Here's a video that uses various Streets video-art to make a video -- proving that not only is Mike a great musician, he's a pretty good visual artist too. There's talk of him doing video and soundtrack work in the future, I just hope I hear about it and get to check it out. Only one US tour date has been announced so far -- it's in New York, in August, which is also when my baby is due, so I don't think I'll be going to that...

The Mike Skinner Conundrum

The two videos below summarise what I think is the Mike Skinner conundrum. The first vid is the new official vid for what'll be the first single off the next Streets album, Computers and Blues. The second vid is something Skinner apparently threw together on a whim with collaborator Robert Harvey (see if you can guess what band he used to be in). To my ears and eyes, the first song and vid are kind of not-very-good -- the music isn't too great and the vid is just a Pop Video, and a pretty low concept one at that (this is on first listen and view). The other song and vid, though, is, I think, much better -- some funny lyrics, a pleasant tune, and some nice wintery imagery. It probably cost a tenth of the official single's video but it's much nicer to look at. Granted I've heard the song more than once so that repeat listening effect might play a part, but I just find the track to be much more likable. Anyway, so the conundrum is that Skinner can make some great tracks when he does it very fast and they are seemingly throwaway, while the stuff that gets worked on for ages and then sits around waiting to be released doesn't seem as good. I think a new release model is needed here, but sadly most of the tracks he puts on his blog aren't downloadable. He does deride the way release schedules work himself and perhaps this is one of the reasons he's saying that the next Streets album will be the last? If you can put out new tunes every day quite easily it must be annoying to put 12 together for an album and then let them get stale for months before they're out.





PS Just listened to 'Going Through Hell' again and it's already growing on me, but still think it has a slightly over-produced sound

The White Streets

Coupla things. First is a comment after reading this article. To summarise, Jack White runs Third Man records; Third Man releases limited edition stuff by the White Stripes and other bands Jack White is involved in; usually that stuff is a weird vinyl version of an already existing record; now instead of selling at a normal price and letting people flip the records on ebay, Third Man is selling directly through ebay itself and keeping all the extra money. Fans are moaning that it's not fair but I think it's totally legit -- musicians need to make money and White argues that by selling through ebay it's the artist getting the extra cash rather than some random flipper. The music itself is available in other formats for cheap/free, so it's not like fans can't access the actual tunes -- they just can't get the special versions without shelling out extra. And why not? Hasn't it always been that way any way -- limited and special editions cost more but you don't have to buy them. When bands are only making money now from concerts and merchandise I think a strategy like this is actually very clever -- leverage your fame to make some extra money and thus an income. It's better than having your tunes in an advert.


In other news, Mike Skinner is blogging again and this blog is the best one I've come across in a long time. It's updated pretty much every day and he's usually responding to an actual person off twitter, or he's giving us his thoughts on creativity, boredom, fame, etc. Posts are usually accompanied by music or really good imagery -- all the music is coupled to a freshly made video. The tunes are very good which makes me wonder why his last couple of albums have been a bit crap? Sadly they don't seem to be downloadable. There are podcasts which I haven't checked out yet, perhaps the songs are included in those. There's a link to a blog that's supposedly by the Streets' manager, Ted Mayhem, which is also worth a read. He's already influenced my choice of TV to purchase... Skinner only start blogging again in October so if you hurry you can catch up on all his posts without it being too much of a hassle!

Electric Dreams while handbrake skidding

I was listening to a Mike Skinner podcast the other day and suddenly had a mid-80's flashback. Was it? Could it be? Yes! He'd put on an extended version of "Together in Electric Dreams" by Phil Oakey and Giorgio Moroder! The last time I heard that song was in my cousin's car in Harlow, probably shortly before/after getting a hard slap on the thigh while in the passenger seat on the way to Muslim sunday school. For a few weeks there we'd hear it every time he gave us a lift, and something about the sadness of the song stood out even back then when I was but a wee fat lad dreading the mullana's cane. The cousin (actually cousin's cousin, an angry and terrifying teenager when I was under ten) had it on cassette and we probably heard it in his mum's VW polo with a cool cassette case carrier thing sliding around on the passenger floor (I always wanted one of those). I'm sticking in a link to the song as I only ever heard it, never saw the video until earlier today. You can see a vid of the extended version here -- check out Phil Oakey's hair! He didn't look like that in the Human League. It was nice to hear this song again and be reminded of those Epping-Harlow trips; in my mind Feraz is in the back seat, the weather is nice, and it's after sunday school, so there's no caning to be afraid of. Good times!

[Just a note: I'm pretty sure this was the first Human League-related song I ever heard, and I never did get round to seeing 'Electric Dreams' the film.]

[Note two: Imeem was being weird so I changed to a Youtube link:]